Chalk sidewalk art / stained glass art

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The sight of kids drawing on the pavement with sidewalk chalk is practically guaranteed to induce a round of nostalgia. As summertime traditions go, getting down on the floor to let one’s artistic imagination run wild is right up there with running through sprinklers and setting up lemonade stands. But what adults swept up in reveries about the long, lazy days of childhood might not realize is that sidewalk chalk art is a pastime that connects us not merely to memories of our smaller selves, but to a wealthy historical tradition that goes completely back once again to 16th-century Italy.

While people have been using chalk to generate pictures since age cavemen, the Italian traveling artists known as madonnari appear to possess been among the earliest practitioners of street art. Robin VanLear, the Cleveland Museum of Art’s director of community arts, explains in an article on the museum’s website

In 16th-century Italy various beggars, primarily amputees, began looking for a benefit over the other beggars who proliferated in the plazas and market areas around cathedrals, especially on feast days. Many of them decided to produce art , and charcoal from braziers became their first drawing implement. They were rewarded for his or her efforts with coins thrown down by pilgrims visiting the cathedrals. Ultimately the more artistic beggars began copying portraits of the Madonna, in particular those by the most popular early 16th-century liturgical artist Raphael. These were dubbed Madonnari, painters of the Madonna.

As the 2011 book Asphalt Renaissance, published by the road artist Kurt Wenner alongside B. Hansen and M. Hospodar, explains, madonnari realized they might maximize their earnings by working as traveling artists, moving between towns according to religious festival schedules. The Italian tradition continued for centuries, and soon street art began popping up in countries like England and Germany as well.

The English counterparts to madonnari, referred to as “screevers,” emerged in Victorian London and remained a fixture of the town up until World War II. Screevers were less closely associated with religious subject matter, but like the madonnari, they made a managing their ephemeral art.

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In George Orwell’s Down and Out in Paris and London, an autobiographical book about poverty published in 1933, the author describes his encounter with a screever named Bozo. A self-declared “serious screever,” Bozo specialized in drawing political cartoons informed by the day’s news. (“Once a young child got its head stuck in the railings of Chelsea Bridge,” Bozo said. “Well, I learned about it, and my cartoon was on the pavement before they’d got the child’s head from the railings.”) Orwell suggests Bozo had ample competition among London street artists: “At that time there was a screever nearly every twenty-five yards along the Embankment.” But whereas lots of Bozo’s peers drew a similar thing each and every day, Bozo distinguished himself by focusing on something new—a strategy he said paid off. “The best thing’s to keep changing your picture, because if they see you drawing they’ll stop and watch you,” he explained.

Screevers were also memorialized in the 1964 Disney film Mary Poppins, set in Edwardian-era England. In the song “Chim Chim Cheree,” Bert, the twinkly-eyed chimney sweep played by Dick van Dyke, boasts about his side hustle Today I’m a screever, and as you can see

A screever’s an artist of’ighest degree
And it’s all me own work from me own memory

Bert is notably less concerned than Bozo about creating a living—although same can not be said about his hat. “No remuneration do I ask of you,” he sings, “But me cap would be glad of a copper or two.”

As VanLear explains, many European street artists fought in World Wars I and II, which meant that the practice of professional sidewalk chalk drawing faded for a good part of the 20th century. Then, in 1972, the Italian village of Grazie di Curtatone made a decision to host an international street-painting competition to honor the history of madonnari. The competition, known as Incontro Nazionale dei Madonnari, was a good success, attracting countless European artists and assisting to revive interest in sidewalk painting.

Roughly a decade later, its profile got a further boost from Wenner, who would become the founder of 3D street art—a technique that uses tricks of perspective to create pavement drawings appear to soar from the sidewalk or sink into it. Wenner was studying classical art in Italy in the 1980s and started drawing on pavement as a means to produce money. He eventually made his method to Grazie’s festival, where he took first place four years in a line, then brought his enthusiasm for street painting back again to the US, launching an annual festival—the initial in the country—in his hometown of Santa Barbara, California, in 1986.

By the time Asphalt Renaissance was published in 2011, the US was home to between 50 and 100 street-painting festivals each year. Europe has additionally experienced a street-painting festival boom, with events in such varied locales since the Netherlands, Germany, France, England, and Serbia; you can find options in Australia, Canada, and Mexico, too. So should you encounter some kids smeared with chalk dust this summer, let them know to help keep at it. There is a future in sidewalk chalk yet.

Masking tape and chalk ready to go

About Dayana Melton

Dayana Melton
Hello my name is Dayana Melton. I have been working on chalk art for a long time. I will try to explain and show you the experiences I have been working on in chalk art for a long time. If you have any suggestions or questions, you can write to me from the contact section.

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