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The sight of kids drawing on the pavement with sidewalk chalk is practically guaranteed to induce an attack of nostalgia. As summertime traditions go, getting down on the floor to let one’s artistic imagination run wild is right up there with running through sprinklers and establishing lemonade stands. But what adults trapped in reveries about the long, lazy days of childhood might not realize is that sidewalk chalk art is just a pastime that connects us not only to memories of our smaller selves, but to a wealthy historical tradition that goes completely back to 16th-century Italy.

While people have now been using chalk to create pictures since age cavemen, the Italian traveling artists known as madonnari appear to have been among the first practitioners of street art. Robin VanLear, the Cleveland Museum of Art’s director of community arts, explains in an article on the museum’s website

In 16th-century Italy various beggars, primarily amputees, began trying to find a benefit over another beggars who proliferated in the plazas and market areas around cathedrals, especially on feast days. Some of them decided to create art , and charcoal from braziers became their first drawing implement. These were rewarded due to their efforts with coins thrown down by pilgrims visiting the cathedrals. Ultimately the more artistic beggars began copying portraits of the Madonna, particularly those by the favorite early 16th-century liturgical artist Raphael. They were dubbed Madonnari, painters of the Madonna.

Whilst the 2011 book Asphalt Renaissance, compiled by the road artist Kurt Wenner along side B. Hansen and M. Hospodar, explains, madonnari realized they could maximize their earnings by working as traveling artists, moving between towns based on religious festival schedules. The Italian tradition continued for centuries, and soon street art began popping up in countries like England and Germany as well.

The English counterparts to madonnari, referred to as “screevers,” emerged in Victorian London and remained a fixture of the city up to World War II. Screevers were less closely related to religious subject material, but like the madonnari, they made a coping with their ephemeral art.

In George Orwell’s Down and Out in Paris and London, an autobiographical book about poverty published in 1933, the writer describes his encounter with a screever named Bozo. A self-declared “serious screever,” Bozo specialized in drawing political cartoons informed by the day’s news. (“Once a child got its head stuck in the railings of Chelsea Bridge,” Bozo said. “Well, I heard about it, and my cartoon was on the pavement before they’d got the child’s head out of the railings.”) Orwell suggests Bozo had ample competition among London street artists: “During those times there was a screever almost every twenty-five yards across the Embankment.” But whereas lots of Bozo’s peers drew a similar thing every day, Bozo distinguished himself by working on something new—a method he said paid off. “The best thing’s to keep changing your picture, because if they see you drawing they’ll stop and watch you,” he explained.

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Screevers were also memorialized in the 1964 Disney film Mary Poppins, emerge Edwardian-era England. In the song “Chim Chim Cheree,” Bert, the twinkly-eyed chimney sweep played by Dick van Dyke, boasts about his side hustle Today I’m a screever, and as you can see

A screever’s an artist of’ighest degree
And it’s all me own work from me own memory

Bert is notably less concerned than Bozo about making a living—although the same cannot be said about his hat. “No remuneration do I ask of you,” he sings, “But me cap could be glad of a copper or two.”

As VanLear explains, many European street artists fought in World Wars I and II, which meant that the practice of professional sidewalk chalk drawing faded for a great area of the 20th century. Then, in 1972, the Italian village of Grazie di Curtatone made a decision to host an international street-painting competition to honor the real history of madonnari. Your competitors, known as Incontro Nazionale dei Madonnari, was a good success, attracting hundreds of European artists and helping to revive fascination with sidewalk painting.

Roughly ten years later, its profile got another boost from Wenner, who would become the founder of 3D street art—a technique that uses tricks of perspective to produce pavement drawings seem to soar from the sidewalk or sink into it. Wenner was studying classical art in Italy in the 1980s and started drawing on pavement as an easy way to make money. He eventually made his method to Grazie’s festival, where he took first place four years in a row, then brought his enthusiasm for street painting back again to the US, launching an annual festival—the first in the country—in his hometown of Santa Barbara, California, in 1986.

By the time Asphalt Renaissance was published in 2011, the US was home to between 50 and 100 street-painting festivals each year. Europe has also experienced a street-painting festival boom, with events such varied locales since the Netherlands, Germany, France, England, and Serbia; there are options in Australia, Canada, and Mexico, too. So should you encounter some kids smeared with chalk dust come july 1st, tell them to help keep at it. There exists a future in sidewalk chalk yet.

Looking for a fun project for the kids? This faux stained glass window project is a fun way to dress up your windows, and easy to remove using Washable Finger Paint.During quarantine I was looking for a fun way to entertain my kids. I had seen multiple people using this concept on concrete with sidewalk chalk so I gave it a try on our windows using washable finger paint that we had on hand. Tape off your pattern The first step is to tape off your pattern. I used basic painter’s tape…

About Dayana Melton

Dayana Melton
Hello my name is Dayana Melton. I have been working on chalk art for a long time. I will try to explain and show you the experiences I have been working on in chalk art for a long time. If you have any suggestions or questions, you can write to me from the contact section.

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